…the dark mood of Mozart’s Sonata A minor K. 310, with which Elżbieta Sternlicht opened her piano recital in the Philharmonie. With Chopin’s Nocturnes she was completely in her element. In the Nocturne F minor sounds of pastel-coloured delicacy were to be heard. Referring to the music of the Polish composer, Heinrich Heine once spoke of virtuosity in the garment of poetry: Elżbieta Sternlicht’s piano playing brought this. thought to life.
Alexander Scriabin’s 9th Sonata seems like a cornucopia of pianistic possibilities. The pianist proved her great mastery once more in the forming of the soft and frail passages. Here she succeeded in creating a kind of shiver of creepy well-being in the audience. Elżbieta Sternlicht mastered the 2nd book of Debussy’s »Preludes« with its high musical and technical demands in a manner highly astonishing: a Debussy-interpreter of rank.
Berliner Morgenpost, September 6th, 1995