A variety of nuances which she brought out impressively in Arnold Schoenberg’s Sechs kleine Klavierstücke opus 19 and Drei Klavierstücke opus 11. The aphoristic style of the Kleine Klavierstücke as well as the differentiated »timbre melodies« of the Drei Klavierstücke were performed by Elżbieta Sternlicht with the utmost concentration and expressiveness (…) in this unheard of, exciting piano recital.
Franz Groborz
Der Tagesspiegel (Berlin), April 18th, 1991